754 Items
Nekresi
Nekresi is a complex of churches in the foothills of the Caucasus near the border with Dagestan. In the valley beneath, archaeologists have found the remains of a sun temple and it is popularly believed that the early Christians appropriated an earlier sacred site, possibly a Zoroastrian high place, in building a church in the C4th at this location. However this belief has been disproved by archaeological excavation which has found no evidence of pre-Christian occupation at the site and has redated the 'C4th' building to the C6th. This structure has entrances on the north, south and east sides and is open to the elements on all sides. It has an undercroft that was used for burials suggesting that this was possibly built as a funerary chapel. The complex also includes a C6th-C7th basilica, known in Georgia as a triple basilica as the narthex opens onto three aisles, but the south aisle does not communicate with the main body of the church and both the north and south aisles are semi-open to the elements with arched arcades to the north and south. There is also an C8th-C9th centrally-planned church that shows a strong Persian influence in its design. The rest of the monastery complex is medieval and a series of early Georgian inscriptions excavated nearby are displayed within them. Nekresi is also associated with one of the Thirteen (As)Syrian Fathers St. Abibos Nekreseli who was reputedly martyred for his resistance to Zoroastrianism.
As with Dolochopi and Dzveli Gavazi, a further visit to the site in the company of Professor Nodar Bakhtadze in August 2017 has led to discussion of the relative dating scheme applied to the "three church basilica" and the centrally-planned domed church and raised questions as to whether or not they were necessarily built that far apart in time. As with Dzveli Gavazi, the centrally-planned church at Nekresi is something of an anomaly given the ubiquity of the "three church basilica" type in Kakheti. In fact this church appears to be an experimental early version of a domed "three church basilica" as it has two apsed side aisles to the north and south of the central church. The northern aisle has a window to the east and is closed off, whereas the south aisle and the narthex in the west both have two arches and are open to the elements. The west and south arcades also have pilasters on the internal wall, as encountered at Areshi large basilica and Kindzmareuli. Inside the main part of the church the dome has windows to the east, south and west, but not on the north side. The dome itself is supported to the west by two squinches, whereas at the east there are what can only be referred to as 'proto-pendentives' - an arrangement also found in the later church of Khirsa Stepantsminda. There is also one other window placed in the apse. If this is an early attempt at a domed basilica, then it is likely to pre-date c.630 and the building of Tsromi to the west in Shida Kartli. It also raises questions as to why two variant forms of centrally-planned church were being experimented with perhaps almost at the same time in the same vicinity. Moving on to the "three church basilica" it is a large example of this type and has open arcades of two arches on both the north and south sides. There is a door to the north aisle from the main nave, but a corresponding door on the south aisle seems to have been sealed centuries ago as medieval frescoes now cover the area where the door once stood. As at Shilda, the entire construction took place as one project and the north and south aisles are firmly tied to the central nave. In the sixth century mortuary chapel (referred to in Georgian as the akeldama) it is clear that this was intially tied to another structure in the sixth century - possibly the refectory - and the later intervening space between the ossuary trench and the other building only became used as a burial ground for wealthy patrons and their families in the middle ages. The marani/refectory complex extant today dates from the twelfth century, as do the cells and work area excavated to the north of the main complex. The tower is sixteenth century, as is the tower at Shilda.
Type: Architecture
Tags: (As)Syrian Fathers, Architecture, Areshi, C12th, C16th, C4th, C6th-C7th, C8th-C9th, Centrally-Planned, Church, Dzveli Gavazi, Funerary Chapel, Georgia, Georgian, Georgian Inscription, Inscription, Kakheti, Khirsa, Kindzmareuli, Middle Ages, Nekresi, Shilda, Stepantsminda, Thirteen (As)Syrian Fathers, Three Church Basilica, Triple Basilica, Tsromi, Zoroastrian
Akhmeta
The C6th church in Akhmeta is a small, simple single-naved building.
Type: Architecture
Tags: Akhmeta, Architecture, C6th, Church, Georgia, Kakheti
Dzveli Shuamta
Dzveli Shuamta ('Old Shuamta') is a complex of three churches in wooded hills in Kakheti above the town of Telavi. The basilica dates from the C5th and is beside two centrally-planned churches of different sizes that both date to the C7th
Type: Architecture
Tags: Architecture, C5th, C7th, Centrally-Planned, Church, Dzveli Shuamta, Georgia, Kakheti, Telavi, Three Church Basilica, Triple Basilica
Ninotsminda
Ninotsminda means St. Nino and is one of several locations in Georgia named after the evangeliser of Georgia. The church is one of the first four-lobed centrally-planned buildings in Georgia and is seen as part of the evolution of this type of architecture. The church dates from the C6th with alterations continuing up until C10th. The site is now the home to a new religious community who live in a range of buildings around the central church.
Type: Architecture
Tags: Architecture, C10th, C6th, Centrally-Planned, Church, Convent, Fresco, Georgia, Kakheti, Ninotsminda, Sagarejo, St. Nino
Sioni, Tbilisi
Sioni (Zion) was the most important church in Tbilisi until the new Cathedral of the Trinity was built on the other side of the river. Its foundations date back to late antiquity but it has been continuously altered and been almost completely rebuilt since the end of Communism.
Type: Architecture
Tags: Architecture, C20th, Cathedral, Church, Georgia, Late Antique, Shida Kartli, Sioni, Tbilisi, Zion
Anchiskhati
Anchiskhati is a C6th basilica in Tbilisi that was named after the miraculous icon housed within it. This icon is now in the Art Museum in Tbilisi and is a C6th representation of the Mandylion. The basilica has been altered since the C6th, notably by raising the height of the building, and has a bell tower dated 1675.
Type: Architecture
Tags: Anchiskhati, Architecture, Bell Tower, C17th, C6th, Church, Georgia, Icon, Mandylion, Shida Kartli, Tbilisi
Mosaic from Villa of the Amazons
Mosaic with scenes from the life of Achilles with figures including Thetis, Chiron and Odysseus. Border scenes include animals and buildings. Villa of the Amazons, Halepli Bahçe, C5th-C6th.
Type: Mosaic
Tags: Achilles, Animal, C5th-C6th, Edessa, Figure, Mosaic, Turkey, Urfa, Villa of the Amazons
Alaverdi
Alaverdi monastery is one of the sites associated with the Thirteen (As)Syrian Fathers and remains one of the most important religious sites in Georgia. It is located in Kakheti in the east of the country, a region dominated by wine production and the monastery is known for its wine. The church is C11th and the walled monastery complex dates from the C17th.
Type: Architecture
Tags: (As)Syrian Fathers, Alaverdi, Architecture, C11th, C17th, Church, Georgia, Kakheti, Monastery, Thirteen (As)Syrian Fathers
Svetiskhoveli
Svetiskhoveli is the national cathedral of Georgia and translates as the "Life-giving Pillar". The foundational legend of the church says that a Georgian Jew named Elias bought Christ's cloak from the soldier who had drawn lots for it. On his return to Mtskheta he was met by his sister Sidonia who died on embracing the cloak. She was buried holding the cloak and an oak tree grew out of her grave. When St. Nino evangelised Georgia she had the tree cut down and made into seven columns for a new church but the seventh hovered above the earth and displayed miraculous powers before finally being lowered into its place.
The current cathedral dates from the C11th and is built on the foundations of a series of earlier church buildings. It includes a (stone) pillar associated with the miraculous origins of the church and a medieval replica of the Holy Sepulchre within it.
Type: Architecture
Tags: Architecture, C11th, Cathedral, Christ, Church, Elias, Fresco, Georgia, Holy Sepulchre, Jerusalem, Jew, Middle Ages, Mtskheta, Sculpture, Shida Kartli, Sidonia, St. Nino, Svetiskhoveli
Antioki
Antioki (Antioch) is the name given to a C5th basilica in Mtskheta by the confluence of the two rivers. It is believed that the district may have housed people from Syria or Asia Minor (more specifically maybe from Antioch itself) in antiquity and that this was the reason for the toponym that has now been attached to the church. Archaeological evidence suggests that the basilica was originally dedicated to St. Stephen and today small church comprises the northern aisle of the original building. The central nave and southern aisle of the basilica are no longer extant although their outline is clearly visible in the gardens surrounding the extant church.
Type: Architecture
Tags: Antioch, Antioki, Architecture, Asia Minor, C5th, Church, Georgia, Mtskheta, Shida Kartli, St. Stepanos, Syria