10 Items
Rekha/Mt. Tkhoti
The (As)Syrian Father Tadeoz Stepantsmindeli is also known as Theodosius or Tata and is also referred to as bearing the toponym "Rekhali". This is because he was associated with the church of St. Stephen (Tsminda Stepanos) in the village of Rekha on the slope of Mt. Tkhoti in Shida Kartli. Today it is unclear which of the several ruined sites on the mountainside was Rekha and so Tadeoz Stepantsmindeli is the only one of these figures who does not have an ancient or modern monastery associated with him today.
Type: Landscape
Tags: (As)Syrian Fathers, Georgia, Mt. Tkhoti, Shida Kartli, Tadeoz Stepantsmindeli, Thirteen (As)Syrian Fathers
Ulumbo
Mikael Ulumboeli is one of the lesser-known (As)Syrian Fathers and we have very little information about his life and death. A new monastery has been built near the village of Ulumbo and it is higher up from an earlier church that was remodelled in the nineteenth century. However, neither of these sites dates to late antiquity and the location of a presumed earlier foundation and/or saint's tomb remains unknown.
Type: Architecture
Tags: (As)Syrian Fathers, C19th, C21st, Church, Georgia, Mikael Ulumboeli, Monastery, Shida Kartli, Thirteen (As)Syrian Fathers, Ulumbo
Breti
The village of Breti is believed to have been where one of the lesser-known (As)Syrian Fathers, Piros Breteli, founded a monastery in the sixth century. There are no traces of this presumed early foundation left today but a new religious community have now established a monastery around what they believe to be his tomb in the centre of the village. This is a friendly and welcoming monastery with a small church with new frescoes and the tomb is located in a small chapel to the north of the main nave. Above the grave is a fresco of the thirteen (As)Syrian Fathers and Piros Breteli is distinguished by the red writing in his halo.
Type: Architecture
Tags: (As)Syrian Fathers, Breti, C21st, Church, Fresco, Georgia, Monastery, Piros Breteli, Shida Kartli, Thirteen (As)Syrian Fathers, Tomb
Samtavisi
Samtavisi is a large C13th church with the remains of a substantial C5th basilica lying directly to the south. This means that they were built side-by-side and raises the question of when the C5th basilica fell out of use and whether the later building was its replacement.
Type: Architecture
Tags: (As)Syrian Fathers, Architecture, C13th, C5th, Church, Georgia, Samtavisi, Shida Kartli, Thirteen (As)Syrian Fathers
Shiomghvime
Shiomghvime means 'the caves of Shio'. Shio was one of the Thirteen (As)Syrian Fathers and he is reputed to have settled in caves to the west of Mtskheta and it is here that the monastery complex need for him is located. The buildings are of many different periods, meaning that claims that one of the churches dates back to the C6th is difficult to verify.
Type: Architecture
Tags: (As)Syrian Fathers, Architecture, C6th, Caves, Church, Georgia, Mtskheta, Shida Kartli, Shiomghvime, Thirteen (As)Syrian Fathers
Ikalto
Ikalto in Kakheti is nationally revered because of its medieval academy. This institution is linked to the national poet, Shota Rustaveli, the author of "The Man in the Panther's Skin" and the ruins of the academy are medieval. However, they are in a walled complex with three churches; the Sameba (Trinity) church dates from the C6th, the smaller single-naved Kvelatsminda church is C7th and the large, centrally planned Gvtaeba (Transfiguration) church that dominates the group is C8th-C9th. Gvtaeba has recently been the subject of a partial excavation and restoration funded by Geocell, a mobile phone network, but the work has been poorly executed and the church still suffers from major structural instability.
Type: Architecture
Tags: (As)Syrian Fathers, Academy, Architecture, C6th, C7th, C8th-C9th, Centrally-Planned, Church, Georgia, Gvtaeba, Holy Trinity, Ikalto, Kakheti, Kvelatsminda, Middle Ages, Rustaveli, Sameba, Thirteen (As)Syrian Fathers, Transfiguration
Nekresi
Nekresi is a complex of churches in the foothills of the Caucasus near the border with Dagestan. In the valley beneath, archaeologists have found the remains of a sun temple and it is popularly believed that the early Christians appropriated an earlier sacred site, possibly a Zoroastrian high place, in building a church in the C4th at this location. However this belief has been disproved by archaeological excavation which has found no evidence of pre-Christian occupation at the site and has redated the 'C4th' building to the C6th. This structure has entrances on the north, south and east sides and is open to the elements on all sides. It has an undercroft that was used for burials suggesting that this was possibly built as a funerary chapel. The complex also includes a C6th-C7th basilica, known in Georgia as a triple basilica as the narthex opens onto three aisles, but the south aisle does not communicate with the main body of the church and both the north and south aisles are semi-open to the elements with arched arcades to the north and south. There is also an C8th-C9th centrally-planned church that shows a strong Persian influence in its design. The rest of the monastery complex is medieval and a series of early Georgian inscriptions excavated nearby are displayed within them. Nekresi is also associated with one of the Thirteen (As)Syrian Fathers St. Abibos Nekreseli who was reputedly martyred for his resistance to Zoroastrianism.
As with Dolochopi and Dzveli Gavazi, a further visit to the site in the company of Professor Nodar Bakhtadze in August 2017 has led to discussion of the relative dating scheme applied to the "three church basilica" and the centrally-planned domed church and raised questions as to whether or not they were necessarily built that far apart in time. As with Dzveli Gavazi, the centrally-planned church at Nekresi is something of an anomaly given the ubiquity of the "three church basilica" type in Kakheti. In fact this church appears to be an experimental early version of a domed "three church basilica" as it has two apsed side aisles to the north and south of the central church. The northern aisle has a window to the east and is closed off, whereas the south aisle and the narthex in the west both have two arches and are open to the elements. The west and south arcades also have pilasters on the internal wall, as encountered at Areshi large basilica and Kindzmareuli. Inside the main part of the church the dome has windows to the east, south and west, but not on the north side. The dome itself is supported to the west by two squinches, whereas at the east there are what can only be referred to as 'proto-pendentives' - an arrangement also found in the later church of Khirsa Stepantsminda. There is also one other window placed in the apse. If this is an early attempt at a domed basilica, then it is likely to pre-date c.630 and the building of Tsromi to the west in Shida Kartli. It also raises questions as to why two variant forms of centrally-planned church were being experimented with perhaps almost at the same time in the same vicinity. Moving on to the "three church basilica" it is a large example of this type and has open arcades of two arches on both the north and south sides. There is a door to the north aisle from the main nave, but a corresponding door on the south aisle seems to have been sealed centuries ago as medieval frescoes now cover the area where the door once stood. As at Shilda, the entire construction took place as one project and the north and south aisles are firmly tied to the central nave. In the sixth century mortuary chapel (referred to in Georgian as the akeldama) it is clear that this was intially tied to another structure in the sixth century - possibly the refectory - and the later intervening space between the ossuary trench and the other building only became used as a burial ground for wealthy patrons and their families in the middle ages. The marani/refectory complex extant today dates from the twelfth century, as do the cells and work area excavated to the north of the main complex. The tower is sixteenth century, as is the tower at Shilda.
Type: Architecture
Tags: (As)Syrian Fathers, Architecture, Areshi, C12th, C16th, C4th, C6th-C7th, C8th-C9th, Centrally-Planned, Church, Dzveli Gavazi, Funerary Chapel, Georgia, Georgian, Georgian Inscription, Inscription, Kakheti, Khirsa, Kindzmareuli, Middle Ages, Nekresi, Shilda, Stepantsminda, Thirteen (As)Syrian Fathers, Three Church Basilica, Triple Basilica, Tsromi, Zoroastrian
Alaverdi
Alaverdi monastery is one of the sites associated with the Thirteen (As)Syrian Fathers and remains one of the most important religious sites in Georgia. It is located in Kakheti in the east of the country, a region dominated by wine production and the monastery is known for its wine. The church is C11th and the walled monastery complex dates from the C17th.
Type: Architecture
Tags: (As)Syrian Fathers, Alaverdi, Architecture, C11th, C17th, Church, Georgia, Kakheti, Monastery, Thirteen (As)Syrian Fathers
Davit Gareja
Davit Gareja is the name given to a complex of monasteries in the semi-desert on the Georgian-Azeri border. It refers specifically to the largest and most important of the monasteries, the Lavra, which has been re-established since the fall of communism. The Lavra dates from the C6th onwards and is associated with Davit Garejeli who is considered the most important (and possibly the leader of) the Thirteen (As)Syrian Fathers.
Type: Architecture
Tags: (As)Syrian Fathers, Architecture, C6th, Davit Gareja, Desert, Georgia, Kakheti, Lavra, Monastery, Thirteen (As)Syrian Fathers
Tsilkani
Tsilkani is one of the sites associated with the Thirteen (As)Syrian Fathers and the church dates back to the C4th. Some of these earlier elements are still visible in the current church, which was heavily remodelled in the Middle Ages.
Type: Architecture
Tags: (As)Syrian Fathers, Architecture, C4th, Church, Georgia, Middle Ages, Sculpture, Shida Kartli, Thirteen (As)Syrian Fathers, Tsilkani