Mikael Ulumboeli is one of the lesser-known (As)Syrian Fathers and we have very little information about his life and death. A new monastery has been built near the village of Ulumbo and it is higher up from an earlier church that was remodelled in the nineteenth century. However, neither of these sites dates to late antiquity and the location of a presumed earlier foundation and/or saint's tomb remains unknown.
The village of Breti is believed to have been where one of the lesser-known (As)Syrian Fathers, Piros Breteli, founded a monastery in the sixth century. There are no traces of this presumed early foundation left today but a new religious community have now established a monastery around what they believe to be his tomb in the centre of the village. This is a friendly and welcoming monastery with a small church with new frescoes and the tomb is located in a small chapel to the north of the main nave. Above the grave is a fresco of the thirteen (As)Syrian Fathers and Piros Breteli is distinguished by the red writing in his halo.
A photograph taken of the church of Qalb Lozeh in December 1992.
These images of Qal'at Seman were taken in December 1992
Gremi in Kakheti is best known today for its extremely well-preserved complex of seventeenth century buildings, preserved from the time when the city was the regional capital. However beside the citadel lie the remains of an older city at the site and this includes three adjoining small early churches that have been built abutting each other and clumsily linked physically and given additional elements such as a dome in later periods.
Chabukauri is located to the west of Nekresi monastery and lies in the modern territory of that foundation. As at Dolochopi, the large three-church basilica found on the site was once the centre of a substantial settlement that has since been overtaken by forest, although in this case the growth is not as dense as it is in Dolochopi. Also as at Dolochopi, there are various phases to the building. In this case the large church is believed to date to the fourth to fifth centuries and, after the main church was damaged in an earthquake, part of the north-eastern sector of the building was adapted to become the south aisle of a new, smaller building. This smaller church was constructed with two distinctive horseshoe-shaped apses, the larger of which had a synthronon - as at the main church in nearby Dolochopi. Also as at Dolochopi there are medieval kist burials scattered across the site. Finally to the north west of the main church there is a small apses structure, believed to date to the fourth century, that boasts a high quality terracotta tiled floor, suggesting that this too could have been an early church. The main building was roofed by timber beams and terracotta tiles held in place with nails and ante fixes as at Dolochopi and here there was evidence that the walls of the structure were once plastered and painted red.
Type: Archaeological Excavation
Tags: Archaeological Excavation, Archaeology, Architecture, Basilica, C4th, C4th-C5th, Chabukauri, Church, Dolochopi, Georgia, Kakheti, Nekresi, Synthronon, Triple Basilica
At Zegaani in Kakheti there is a complex of three early churches. The fifth-century church of St. Marina is exceptionally small and its nearest comparable building in terms of design seems to be the tiny church of St. Nino in Samtavro, Mtskheta. The interior of the space is richly frescoed with an (unpublished) sixteenth to seventeenth century fresco cycle, that is currently open to the elements given the lack of windows and doors on the church. There is a simple, single naved church dedicated to the Archangels of an inter determinate date and a large three-church basilica dedicated to the Virgin and of an architectural type very similar to the basilica to the north of the valley at Nekresi. Like the Nekresi basilica, this church is believed to date to the sixth to seventh century. This basilica was in the process of being resorted at the time of the visit as the site was being re-established as a working monastery.
The church of Kvelatsminda (All Saints) in Gurjaani, located in the Kakheti region of east Georgia is an architectural anomaly that does not have any parallel elsewhere in Georgia. The church dates back to the eighth to ninth centuries and uniquely boasts two small domes as well as a gallery level entry at the west end of the building. This first floor gallery leads to passageways that run to the north and south of the main nave and terminate in chambers of indeterminate function. Due to these passages the exterior windows of the church do not communicate with the nave below. Some questions remain as to how the church would have originally looked as it was extensively restored in the seventeenth century and this could have led to some changes in the interior disposition of the building.
Zedazeni is the monastery associated with St. Ioane Zedazneli, who is referred to in Georgian hagiographical sources as the leader of the Thirteen (As)Syrian Fathers. He is believed to have retreated to the mountains of Kvemo Kartli north of Mtskheta with a band of local followers such as Elia Diakoni (Elia the Deacon) and founded a monastery there. A tomb in the north aisle of the small church is believed by the faithful to be his shrine. Although art historians and archaeologists have argued that some elements of the church at the site date back to the sixth century, the evidence for this has yet to be published and it is difficult to make out the chronology of the building which has been heavily restored over the centuries. As with many ancient Christian sites in Georgia, in particular those associated with saintly figures, the foundation has been re-established since the fall of communism and is now home to an ultra-orthodox religious community who are on the fringes of the Georgian Orthodox church. This extremist tendency is illustrated by the fashioning of a giant cross from a disused electricity pylon and the construction of a giant wall of icon reproductions several hundred metres from the monastery compound.
Martqopi is monastery in the Kvemo Kartli region of Georgia to the north east of Tbilisi. As with several other ancient monasteries, the village named Martqopi is now some kilometres distant from the monastery of that name as the monastery and accompanying settlement have divided over time and the monastery is known as Gvtaeba. The site is named for St. Anton Martqopeli, believed to have been one of the Thirteen (As)Syrian Fathers and who is believed to have brought the Holy Tile of Edessa (the Keramidion) to Georgia. Although the Keramidion is believed to be a miraculous imprint made on a tile by the Mandylion, the miraculous cloth that Christ left an imprint of his face on and therefore a secondary icon after the Mandylion, in Georgia this story has become confused and St. Anton is now often said to have brought the Mandylion itself to Georgia. The saint is often referred to as a 'Stylite' as he repudedly lived alone in a tower above the main monastery for some years. This building is now closed to visitors but is referred to interchageably as a 'koshki' (tower) or 'sveti' (pillar or column). As at Ubisa this dwelling resembles a tower house rather than the Syrian-style column found at Qal'at Seman and Semandağ. There is also a modern tomb at this site reorted to be that of St. Anton, replicating the situation across a number of sites associated with the Thirteen (As)Syrian Fathers where relatively recent shrines have been constructed.