This late antique basilica of the three church type is moderate in size and falls in between the other two churches at Areshi mentioned on this site in dimension. As with the smaller basilica, it has not been conserved and has suffered as a result - in this case being overgrown and having tree roots compromise the integrity of the standing remains. In the case of this church, a chapel was added and other alterations were carried out in the High Middle Ages, around the twelfth century.
Excavations at Dolochopi, across the river from the modern town of Kvareli have revealed a large "three-church basilica" that is believed to date to the mid fifth century. The site stands in the centre of what was once a substantial settlement, which appears to have declined steadily after earthquakes and attacks by the Arabs and other invaders, fading into obscurity and being overtaken by the forest by the late middle ages. The basilica is built over an earlier church and, although it declined for the reasons outlined above, the nave and immediate vicinity of the church remained in use for burials. In particular the north-eastern corner of the church which was adapted in the eighth to ninth centuries as a mortuary chapel and seems to have been utilised until at least the twelfth of thirteenth centuries. The church was roofed by wooden beams supporting terracotta tiles that were held in place with iron nails and antefixes - a typically Byzantine design, as were the lighting fixtures discovered at the site. In many other respects, including in the numismatic finds, the complex looks east to the Persian Empire, but the overwhelming evidence suggests that the church is an early example of Georgian vernacular ecclesiastical architecture. One element that stands out is the inclusion of a synthronon, an element of ecclesiastical furnishing hitherto unknown in Georgia except at the nearby archaeological site of Chabukauri. In late 2016 C14 testing on a sample taken from the oldest church, which lies beneath the main basilica still extant today yielded a probable date of 387CE. The excavations were continued under the direction of Professor Nodar Bakhtadze of the Georgian National Museum and Ilia State University throughout the summer of 2017 and a large tomb compartment, called an akeldama was discovered in the centre of the apse at some distance beneath the afore-mentioned synthronon. The chronology of the site suggests that an earthquake destroyed the original fourth century church and that this was rebuilt even larger within a few years of its destruction. The resulting fifth century basilica then appears to have been damaged in a later seismic event and so the church was altered significantly in the sixth century, with further contractions of use continuing into the High Middle Ages. The images at the beginning of this entry were taken on a site visit in 2016, the latter images which make up the majority of this entry were taken a year later in August 2017.
Type: Archaeological Excavation
Tags: Archaeological Excavation, Archaeology, Architecture, Basilica, C12th, C5th, C8th-C9th, Chabukauri, Dolochopi, Georgia, Kakheti, Kvareli, Synthronon, Three Church Basilica, Triple Basilica
Images of Osindale church exterior. Sadly no interior shots were taken as there was a service going on that I did not wish to disturb.
Early sources reveal that Constantine’s church of the Holy Sepulchre was sumptuously decorated with fine marbled panels, columns and a coffered ceiling. A cross was set up on the rock of Golgotha to commemorate the exact site of the Crucifixion and was replaced over the following centuries with one decorated with gems, a golden cross and a simple wooden one in the seventh century. Christ’s tomb was in two parts: the first a porch that contained part of the stone that formed the door to the tomb and the second the tomb itself. It had a roof of silver and gold, outer walls made of marble and it was topped with a cross.
The modern church has been significantly modified and little of the Late Antique fabric has survived as much of it was rebuilt in the nineteenth and twentieth century following a fire and an earthquake that caused much damage.
Tags: Architecture, C12th, C19th-C20th, C2nd, C4th, Christ, Christian, Church, Constantine, Cross, Crucifixion, Crusades, Domed Basilica, Golgotha, Holy Sepulchre, Holy Site, Israel, Jerusalem, Joseph of Arimathea, Mosaic, Pilgrimage, Resurrection, St. Helena, Tomb
The first church of the Holy Sepulchre built by the Emperor Constantine was dedicated in the year 328 AD. It was accessed off one of Jerusalem’s main thoroughfares, the Cardo. The entrance led to a narthex, the basilica, an atrium and culminated with the Anastasis (or Resurrection) Rotunda that surrounded the much smaller edifice of Christ’s Tomb. Unfortunately, very little of this church now remains. The Late Antique foundations exist below ground level of the current church and are cut off from public view. Throughout its history, the church has undergone many remodelling and rebuilding programmes, much of which was caused by its turbulent history during the Persian invasion in the seventh century and the Muslim conquest of the city in the eleventh century. Much of the visible external architecture dates to the Crusader period.
Tags: Architecture, C12th, C19th-C20th, C2nd, C4th, Christ, Christian, Church, Constantine, Crucifixion, Crusades, Domed Basilica, Golgotha, Holy Sepulchre, Holy Site, Israel, Jerusalem, Pilgrimage, Resurrection, St. Helena, Tomb
The Church of Mar Elian is believed to date back to the early fifth century and to have been founded on the site of the saint's martyrdom in 284. Elian was a local physician who was murdered by his father, a Roman officer, for his Christian faith. He is widely venerated in Syria for miracles of healing. The church was built around a late antique marble sarcophagus decorated with crosses and located in a small side apse south of the main sanctuary of the church. In the 1970s fragments of frescoes and mosaics were discovered during a renovation programme in the chamber around the tomb, and some elements of the decoration possibly date back as far as the sixth century, though most of the frescoes are twelfth century. Today the church interior boasts frescoes of the life of Mar Elian and various biblical scenes painted by two Romanian artists.
The madrasa is an Islamic school that was built by Nur al-Din (1118-1174) on the apse of the former Byzantine cathedral of Aleppo. The capitals are very close stylistically to those at Qalat Seman, suggesting that the church was originally built in the second half of the fifth century. Beside the steps down into the madrasa is a large basalt block inscribed with Christian symbols and some Syriac words. Its placement seems designed to underline Islamic supremacy over the former Christian owners of the site.
Tags: Aleppo, Architecture, Basalt, Byzantine, C12th, C5th, Capital, Cathedral, Church, Inscription, Madrasa, Madrasa Halawiyeh, Nur al-DIn, Qalat Seman, Sculpture, Syria, Syriac, Syriac Inscription
The town of Bethlehem is located to the south of Jerusalem in the West Bank. Since the second century, pilgrims have flocked to the site traditionally associated as the place of Christ’s birth, a cave to the east of the town. In the fourth century, Helena, the Emperor Constantine’s mother, supposedly rediscovered the cave and had her son build a church to commemorate it. This church featured an octagonal structure at the eastern end that was positioned directly over the cave of the Nativity. At the centre of this octagon was a wide, circular opening to allow pilgrims to glimpse at the holy site. It was badly damaged during a Samaritan revolt in 529 AD and was rebuilt by the Emperor Justinian in the mid-sixth century. Much of this church has survived and is largely what is seen today. There were later modifications during the time of the Crusades, largely with the fresco painting on the nave columns. It is thus considered the oldest church in use.
Tags: Bethlehem, C12th, C2nd, C4th, C6th, Cave, Christ, Christian, Church, Column, Constantine, Corinthian, Crusades, Fresco, Geometric Motif, Holy Site, Icon, Justinian, Mosaic, Nativity, Octagonal, Pilgrimage, St. Helena, West Bank
Mount Tabor is an isolated oval-shaped mountain in the Jezreel valley and is situated to the south-west of the Sea of Galilee. It is associated as the place of Christ’s Transfiguration before Peter, James and John in the presence of Elijah and Moses. Pilgrims who venerated the site in the fourth century describe three churches built on the summit of the mountain that were dedicated to Christ, Moses and Elijah. The mosaics photographed here are from this period. The Crusaders founded a Benedictine abbey on the site, remnants of which are visible today. The Franciscans built a new church in the twentieth century and the place of the Transfiguration is located in the crypt.
Tags: Architecture, Baptistery, C12th, C20th, C4th, Christ, Christian, Church, Cross, Geometric Motif, Holy Site, Israel, Jezreel Valley, Mosaic, Mount Tabor, Mountain, St. Elijah, St. James, St. John, St. Peter, Transfiguration
Nekresi is a complex of churches in the foothills of the Caucasus near the border with Dagestan. In the valley beneath, archaeologists have found the remains of a sun temple and it is popularly believed that the early Christians appropriated an earlier sacred site, possibly a Zoroastrian high place, in building a church in the C4th at this location. However this belief has been disproved by archaeological excavation which has found no evidence of pre-Christian occupation at the site and has redated the 'C4th' building to the C6th. This structure has entrances on the north, south and east sides and is open to the elements on all sides. It has an undercroft that was used for burials suggesting that this was possibly built as a funerary chapel. The complex also includes a C6th-C7th basilica, known in Georgia as a triple basilica as the narthex opens onto three aisles, but the south aisle does not communicate with the main body of the church and both the north and south aisles are semi-open to the elements with arched arcades to the north and south. There is also an C8th-C9th centrally-planned church that shows a strong Persian influence in its design. The rest of the monastery complex is medieval and a series of early Georgian inscriptions excavated nearby are displayed within them. Nekresi is also associated with one of the Thirteen (As)Syrian Fathers St. Abibos Nekreseli who was reputedly martyred for his resistance to Zoroastrianism.
As with Dolochopi and Dzveli Gavazi, a further visit to the site in the company of Professor Nodar Bakhtadze in August 2017 has led to discussion of the relative dating scheme applied to the "three church basilica" and the centrally-planned domed church and raised questions as to whether or not they were necessarily built that far apart in time. As with Dzveli Gavazi, the centrally-planned church at Nekresi is something of an anomaly given the ubiquity of the "three church basilica" type in Kakheti. In fact this church appears to be an experimental early version of a domed "three church basilica" as it has two apsed side aisles to the north and south of the central church. The northern aisle has a window to the east and is closed off, whereas the south aisle and the narthex in the west both have two arches and are open to the elements. The west and south arcades also have pilasters on the internal wall, as encountered at Areshi large basilica and Kindzmareuli. Inside the main part of the church the dome has windows to the east, south and west, but not on the north side. The dome itself is supported to the west by two squinches, whereas at the east there are what can only be referred to as 'proto-pendentives' - an arrangement also found in the later church of Khirsa Stepantsminda. There is also one other window placed in the apse. If this is an early attempt at a domed basilica, then it is likely to pre-date c.630 and the building of Tsromi to the west in Shida Kartli. It also raises questions as to why two variant forms of centrally-planned church were being experimented with perhaps almost at the same time in the same vicinity. Moving on to the "three church basilica" it is a large example of this type and has open arcades of two arches on both the north and south sides. There is a door to the north aisle from the main nave, but a corresponding door on the south aisle seems to have been sealed centuries ago as medieval frescoes now cover the area where the door once stood. As at Shilda, the entire construction took place as one project and the north and south aisles are firmly tied to the central nave. In the sixth century mortuary chapel (referred to in Georgian as the akeldama) it is clear that this was intially tied to another structure in the sixth century - possibly the refectory - and the later intervening space between the ossuary trench and the other building only became used as a burial ground for wealthy patrons and their families in the middle ages. The marani/refectory complex extant today dates from the twelfth century, as do the cells and work area excavated to the north of the main complex. The tower is sixteenth century, as is the tower at Shilda.
Tags: (As)Syrian Fathers, Architecture, Areshi, C12th, C16th, C4th, C6th-C7th, C8th-C9th, Centrally-Planned, Church, Dzveli Gavazi, Funerary Chapel, Georgia, Georgian, Georgian Inscription, Inscription, Kakheti, Khirsa, Kindzmareuli, Middle Ages, Nekresi, Shilda, Stepantsminda, Thirteen (As)Syrian Fathers, Three Church Basilica, Triple Basilica, Tsromi, Zoroastrian