- Type is exactly "Painting"
The apse depicts the Virgin Blachernitissa in the posture of an orant flanked by the Fathers of the Church, including St. Cyril, St. Basil, St. Athanasius, St. John Chrysostom, St. Ignatius of Antioch and St. James with the names of two other saints missing. The semi-dome would have held a Pantocrator on the 1207/08 layer, but the traces of the earlier layer suggest that it once held the symbols of the four evangelists.
Christ and the apostles stand immediately above the semi-dome of the apse on the triumphal arch. Christ is flanked by Saints Peter and Paul who have their recognisable features of white hair and beard for St. Peter and a dark beard and receding hairline for St. Paul. Although the scene has been quite damaged, some elements are very well preserved and the image of St. Paul was the only illustration used in the commemorative service books handed to priests during Pope John Paul II's visit to Damascus in 2001.
This cross was painted as part of the first fresco cycle at some point between 1058 and 1095. It is located on the eastern spandrel in the south aisle of the church.
This fresco is from the earliest layer of decoration that is post 1058 and pre 1095. The subject is unclear and the board on which it is preserved hangs on the west wall of the north aisle of the chapel.
This angel has become the most well-known fresco at Deir Mar Musa as it is used as the symbol of the modern monastic community. This fresco is on the north side of the wall adjacent to the apse and is alongside an image of the Baptism of Christ. It is part of the second of the three levels of fresco and therefore can be dated to 1095.
This fresco is to the north of the Baptism of Christ fresco in the north east corner of the chapel. The untidy looking inscription beneath the painting is contemporary with the picture and is dated 1095, thus fixing the date of the second level of paintings in the church.
Tags: 1095, An Nabk, Arabic, Arabic Inscription, Architecture, Church, Deir Mar Musa, Deir Mar Musa al-Habashi, Fresco, Inscription, Mar Musa al-Habashi, Monastery, Simeon Stylites, Syria
This painting is on the east wall of the north aisle of the monastery chapel and is believed to have been painted in the area of the church used as a baptistery as a broken font was discovered in the valley below the church and has now been replaced in the north aisle. These frescoes are part of the second cycle painted in the chapel and date to 1095.
The fragmentary remains on the stone lower half of the iconostasis is believed to represent the parable of the wise and foolish virgins (Matthew 25), which is commemorated in the Syrian Orthodox Church by the feast of Nahireh on the evening of Palm Sunday.
This fresco of Samson and the lion dates from the first level of painting and was therefore painted between 1058 and 1095. In this picture it is partially cleaned and that process was completed shortly after this image was taken. It is located on the north side of the southern aisle of the church and faces the viewer as they enter the church.
St. Bacchus is located on the south arcade and is believed to have faced St. Sergius across the nave, but the equestrian saint opposite has been almost entirely destroyed. He faces east and rides towards the direction in which Christ will reappear at the time of the Last Judgement.