53 Items
Fresco of the Wise and Foolish Virgins
The fragmentary remains on the stone lower half of the iconostasis is believed to represent the parable of the wise and foolish virgins (Matthew 25), which is commemorated in the Syrian Orthodox Church by the feast of Nahireh on the evening of Palm Sunday.
Type: Painting
Tags: 1207/08, An Nabk, Architecture, Church, Deir Mar Musa, Deir Mar Musa al-Habashi, Fresco, Iconostasis, Mar Musa al-Habashi, Monastery, Syria, Wise and Foolish Virgins
Detached fresco
This fresco is from the earliest layer of decoration that is post 1058 and pre 1095. The subject is unclear and the board on which it is preserved hangs on the west wall of the north aisle of the chapel.
Type: Painting
Tags: An Nabk, Church, Deir Mar Musa, Deir Mar Musa al-Habashi, Fresco, Mar Musa al-Habashi, Monastery, Syria
The north aisle of the church facing east
This image shows the east end of the northern aisle of the chapel with the font in the foreground and the Baptism of Christ and Simeon Stylites behind.
Type: Architecture
Tags: 1095, An Nabk, Architecture, Baptism of Christ, Baptismal Font, Baptistery, Church, Deir Mar Musa, Deir Mar Musa al-Habashi, Fresco, Mar Musa al-Habashi, Monastery, Simeon Stylites, Syria
Fresco of Simeon Stylites
This fresco is to the north of the Baptism of Christ fresco in the north east corner of the chapel. The untidy looking inscription beneath the painting is contemporary with the picture and is dated 1095, thus fixing the date of the second level of paintings in the church.
Type: Painting
Tags: 1095, An Nabk, Arabic, Arabic Inscription, Architecture, Church, Deir Mar Musa, Deir Mar Musa al-Habashi, Fresco, Inscription, Mar Musa al-Habashi, Monastery, Simeon Stylites, Syria
Fresco of the Baptism of Christ
This painting is on the east wall of the north aisle of the monastery chapel and is believed to have been painted in the area of the church used as a baptistery as a broken font was discovered in the valley below the church and has now been replaced in the north aisle. These frescoes are part of the second cycle painted in the chapel and date to 1095.
Type: Painting
Tags: 1095, An Nabk, Architecture, Baptism of Christ, Baptismal Font, Baptistery, Church, Deir Mar Musa, Deir Mar Musa al-Habashi, Fresco, Mar Musa al-Habashi, Monastery, Syria
Fresco of an angel
This angel has become the most well-known fresco at Deir Mar Musa as it is used as the symbol of the modern monastic community. This fresco is on the north side of the wall adjacent to the apse and is alongside an image of the Baptism of Christ. It is part of the second of the three levels of fresco and therefore can be dated to 1095.
Type: Painting
Tags: 1095, An Nabk, Angel, Architecture, Church, Deir Mar Musa al-Habashi, Fresco, Mar Musa al-Habashi, Monastery, Syria
Church of St. Gregory of Tigran Honents
An inscription on the Eastern wall of the church tells us that the church was built by a wealthy merchant, Tigran Honents, in 1215 AD. At the time Ani was under Georgian control and the church is believed to have been Georgian orthodox originally with the impressive and well preserved frescos within speculated as having been painted by Georgian artists.
Type: Architecture
Tags: Armenian, C13th, Church, Fresco, Georgian, Inscription, Turkey
Tomb of Elahbel
This is one of the best-preserved tomb towers still extant and preserves many elements of its original fresco and sculptural decoration.
Type: Architecture
Tags: Archaeology, Architecture, Elahbel, Fresco, Palmyra, Sculpture, Syria, Syrian Civil War, Tadmor, Tomb, Tomb Tower
Entrance to the Tomb of the Three Brothers
The Tomb of the Three Brothers is a well-known frescoed hypogeum to the south of the Valley of the Tombs. The entrance has an extensive Palmyrene inscription over the door detailing the names of those interred inside.
Type: Inscription
Tags: Archaeology, Architecture, Fresco, Hypogeum, Inscription, Palmyra, Palmyrene, Sculpture, Syria, Syrian Civil War, Tadmor, Tomb, Tomb of the Three Brothers
Dartlo
Dartlo is located above a ford in the valley. The closest building to the river is a ruined stone structure that, on closer investigation possessed the traces of a fresco of an angel. This had obviously been a church in the past and was the only evidence of Christianity encountered on the first visit to Tusheti in 2006. By 2016 the village was more developed and second only in size to Dzveli Omalo for tourist infrastructure.
Type: Architecture
Tags: Architecture, Church, Dartlo, Fresco, Georgia, Tower, Tusheti