This basalt stele shows a full-length portrait of the deceased. It is currently on display in the garden of the National Museum of Damascus.
This stele shows a large sculpture of a man accompanied by the smaller figures of a woman and child and a Greek inscription. It is currently displayed in the garden of the National Museum of Damascus.
This funerary stele shows items that meant something to the deceased along with a crude Greek inscription. It is now displayed in the garden of the National Museum of Damascus.
This basalt relief attached to the wall of the National Museum in Damascus shows the tauroctony, the central cult scene of Mithraism where Mithras slays the bull to ensure the passage of the seasons and the continued fertility of the Earth.
This basalt relief of winged victories is displayed on an exterior wall of the National Museum of Damascus. The relatively crude carving of the object reflects the difficulty of working with basalt.
Views of the garden of the National Museum in Damascus that is used to display primarily Classical and Late Antique sculpture, sarcophagi and architectural elements.
This carved basalt slab contains cruciform imagery but is extremely unlikely to have come from a church, as such motifs were widespread in the Roman and Late Antique periods and often were intended as abstract designs rather than having an underlying meaning.
These basalt doors are found across Syria, but generally most frequently originate from the Syrian Limestone Massif around Aleppo and Idlib provinces. They are found throughout the Late Antique period and were a particular feature of tower-houses occupied by multiple families. In some cases these doors have remained in situ, thus enabling us to see how they would have been far easier to operate than the modern viewer would expect.
One of the city gates of Bosra built of the local basalt.
A bath complex in the vicinity of the theatre of Bosra.