<?xml version="1.0" encoding="UTF-8"?>
<item xmlns="http://omeka.org/schemas/omeka-xml/v5" itemId="745" public="1" featured="0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://architectureandasceticism.exeter.ac.uk/items/show/745?output=omeka-xml" accessDate="2026-05-12T07:02:06+00:00">
  <fileContainer>
    <file fileId="8244">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/1526e25d5593a7a8664ca356ee3eff61.JPG</src>
      <authentication>2dba6455a2670055a945ab243e01c91e</authentication>
    </file>
    <file fileId="8245">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/fb762c9552ca30ea7d57b21f59e1bf0c.JPG</src>
      <authentication>74cbe954541bf0538dd5bb86776bd262</authentication>
    </file>
    <file fileId="8246">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/e56f487c3abdcedb99de84c3c92865c9.JPG</src>
      <authentication>4dd40f9bf9935970ef31f2792a4d944e</authentication>
    </file>
    <file fileId="8247">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/0bfcf354fbc4b2132e1b99d55db99f9c.JPG</src>
      <authentication>64bef5cdaf491b75031eab96e24f7aa8</authentication>
    </file>
    <file fileId="8248">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/d5da8c4bebe4a6aa2d1f0394fc8a4cf5.JPG</src>
      <authentication>ccfc5d09402f4611606021448dce7a91</authentication>
    </file>
    <file fileId="8249">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/f8cf1e8558cbb1b38a8a64b0ff362a6d.JPG</src>
      <authentication>a9262a3d38e88379fa00c62dc337a01c</authentication>
    </file>
    <file fileId="8250">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/ec73257d485d0ac46bf00719ea1750f7.JPG</src>
      <authentication>f849d12e8660d8cfaba7f4eecae3dde2</authentication>
    </file>
    <file fileId="8251">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/8bf77095fa3f2d1fdb9fc9c4acee6fc0.JPG</src>
      <authentication>5106a0e4e0e1efd3a00b11dc4ed0242f</authentication>
    </file>
    <file fileId="8252">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/b1c12c1abc4594b610490ec9e2692e85.JPG</src>
      <authentication>87a5fc2385a076ae440f810102263539</authentication>
    </file>
    <file fileId="8253">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/288bb618cbb340ba93deaac84c76f79c.JPG</src>
      <authentication>99a3b087d87bde62c20a83fffa9a6286</authentication>
    </file>
    <file fileId="8254">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/6069996f9fa60bd80df3f43a8440ba60.JPG</src>
      <authentication>300b82bdefc5f78955bd6d7554f98f7b</authentication>
    </file>
    <file fileId="8255">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/879cf014ecbaa5f41713e1cca217286d.jpg</src>
      <authentication>10bbc6bbdfb717681b5db6ff84bbecc2</authentication>
    </file>
    <file fileId="8256">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/ae64f4b2a0b8aa833fa86123540bd02c.JPG</src>
      <authentication>a6eb052e043a7f4f5826f59689ee45df</authentication>
    </file>
    <file fileId="8257">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/8a1b8b1125e3a91896b3d77f593e18fb.JPG</src>
      <authentication>24cd8bcb22e1a54cce42cd1fa2f702af</authentication>
    </file>
    <file fileId="8258">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/5de26350ffcb5c37365fe7998a79e0ff.JPG</src>
      <authentication>7c0bb8359664deff6aa55146bcc9a0d9</authentication>
    </file>
    <file fileId="8259">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/e7bcb74c89a946d28f58af5ece10eb91.JPG</src>
      <authentication>fba7b1486a438e2ac31ce6e0b3ce91df</authentication>
    </file>
    <file fileId="8260">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/0a9c247f0f05569cf0ba1a2e7c8b7280.JPG</src>
      <authentication>e25332756245cdc40e13e4679b33b08a</authentication>
    </file>
    <file fileId="8261">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/f7732ab94a3a3c661289a3e60b69b6c0.JPG</src>
      <authentication>cb491b73529e3dd69a9ba3d91fc34361</authentication>
    </file>
    <file fileId="8262">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/e23204ebe5fc23b5c9d7bae0d5a5bca0.JPG</src>
      <authentication>c26c648713e039a0c06e41cbee130165</authentication>
    </file>
    <file fileId="8263">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/5c6941eb4c2c30ed2757c139e371d962.JPG</src>
      <authentication>03539a1e59940fdcebbe9c4c1860410b</authentication>
    </file>
    <file fileId="8264">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/c1994d514077fd0a93b29463436d97ed.JPG</src>
      <authentication>a0f88c52d05a7760e86b196928256a86</authentication>
    </file>
    <file fileId="8265">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/f447fd77ef25fced20256a35efad2f3f.JPG</src>
      <authentication>3faf9ce18f8dcef9b9a05599648e627c</authentication>
    </file>
    <file fileId="8266">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/1fa7169066077e0220dc12998349c589.JPG</src>
      <authentication>6790d6fa527c91012e096f10409916ce</authentication>
    </file>
    <file fileId="8267">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/6c8304ff594d7888f84b118d3fa61f66.JPG</src>
      <authentication>a439317188e5c25a440bfa82d257ee23</authentication>
    </file>
    <file fileId="8268">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/87f7044eb200d59837e4d730e3b4592e.JPG</src>
      <authentication>27ed57c422b181f915c78a9ad376aa25</authentication>
    </file>
    <file fileId="8269">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/5662bfda98c9f65863231594deea39f2.JPG</src>
      <authentication>e4560f611e03e04a534c2de3ce314f69</authentication>
    </file>
    <file fileId="8270">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/07b1048e1fb02969dc239633b1d6d6cf.JPG</src>
      <authentication>70cae3ec8f25841eb82d894a13eb4082</authentication>
    </file>
    <file fileId="8271">
      <src>https://architectureandasceticism.exeter.ac.uk/files/original/e9181c5fc70a3bb4841412ae8286c293.JPG</src>
      <authentication>ec4bcd87c11197957baeb4ee72370b06</authentication>
    </file>
  </fileContainer>
  <collection collectionId="59">
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5697">
                <text>Early Christian Archaeology in Georgia</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5698">
                <text>Despite the attention paid by historians and art historians to the standing early Christian architecture still extant in Georgia, early Christian archaeology remains a relatively under-explored area in the country, with few people working on the field. This means that in many ways very little is known about the evolution of Christianity in Georgia as all the current ideas rest on art historical and textual analysis. Several recent excavations are casting new light on this period and suggest that current assumptions about the spread of early Christianity in Georgia may be flawed.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5699">
                <text>Emma Loosley</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5700">
                <text>Emma Loosley</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5701">
                <text>Metadata and all media released under a Creative Commons BY-NC-SA International licence unless otherwise indicated</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5702">
                <text>Archaeology</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </collection>
  <itemType itemTypeId="20">
    <name>Architecture</name>
    <description>A still image of architecture.</description>
  </itemType>
  <elementSetContainer>
    <elementSet elementSetId="1">
      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
      <elementContainer>
        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="5711">
              <text>Chabukauri</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="5712">
              <text>Chabukauri is located to the west of Nekresi monastery and lies in the modern territory of that foundation. As at Dolochopi, the large three-church basilica found on the site was once the centre of a substantial settlement that has since been overtaken by forest, although in this case the growth is not as dense as it is in Dolochopi. Also as at Dolochopi, there are various phases to the building. In this case the large church is believed to date to the fourth to fifth centuries and, after the main church was damaged in an earthquake, part of the north-eastern sector of the building was adapted to become the south aisle of a new, smaller building. This smaller church was constructed with two distinctive horseshoe-shaped apses, the larger of which had a synthronon - as at the main church in nearby Dolochopi. Also as at Dolochopi there are medieval kist burials scattered across the site. Finally to the north west of the main church there is a small apses structure, believed to date to the fourth century, that boasts a high quality terracotta tiled floor, suggesting that this too could have been an early church. The main building was roofed by timber beams and terracotta tiles held in place with nails and ante fixes as at Dolochopi and here there was evidence that the walls of the structure were once plastered and painted red.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="39">
          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
          <elementTextContainer>
            <elementText elementTextId="5713">
              <text>Emma Loosley</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="5714">
              <text>2016-08-20</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="37">
          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
          <elementTextContainer>
            <elementText elementTextId="5715">
              <text>Emma Loosley</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
          <elementTextContainer>
            <elementText elementTextId="5716">
              <text>Metadata and all media released under a Creative Commons BY-NC-SA International licence unless otherwise indicated</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="46">
          <name>Relation</name>
          <description>A related resource</description>
          <elementTextContainer>
            <elementText elementTextId="5717">
              <text>https://iliauni.academia.edu/NodarBakhtadze</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="51">
          <name>Type</name>
          <description>The nature or genre of the resource</description>
          <elementTextContainer>
            <elementText elementTextId="5718">
              <text>Archaeological Excavation</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </elementSet>
  </elementSetContainer>
  <tagContainer>
    <tag tagId="402">
      <name>Archaeological Excavation</name>
    </tag>
    <tag tagId="391">
      <name>Archaeology</name>
    </tag>
    <tag tagId="80">
      <name>Architecture</name>
    </tag>
    <tag tagId="372">
      <name>Basilica</name>
    </tag>
    <tag tagId="23">
      <name>C4th</name>
    </tag>
    <tag tagId="321">
      <name>C4th-C5th</name>
    </tag>
    <tag tagId="706">
      <name>Chabukauri</name>
    </tag>
    <tag tagId="16">
      <name>Church</name>
    </tag>
    <tag tagId="703">
      <name>Dolochopi</name>
    </tag>
    <tag tagId="18">
      <name>Georgia</name>
    </tag>
    <tag tagId="135">
      <name>Kakheti</name>
    </tag>
    <tag tagId="151">
      <name>Nekresi</name>
    </tag>
    <tag tagId="705">
      <name>Synthronon</name>
    </tag>
    <tag tagId="793">
      <name>Three Church Basilica</name>
    </tag>
    <tag tagId="152">
      <name>Triple Basilica</name>
    </tag>
  </tagContainer>
</item>
