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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Syria 1962</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>These images were taken by John Ingham on a visit to Syria in 1962 and offered to the archive to enable a comparison of how the sites may have deteriorated over the 50 years since they were taken. This record is especially valuable as several of the buildings in this collection have now been destroyed by the so-called Islamic State.</text>
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                <text>Emma Loosley</text>
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                <text>John Ingham</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>Metadata and all media released under a Creative Commons BY-NC-SA International licence unless otherwise indicated</text>
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            <description>The nature or genre of the resource</description>
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                <text>Architecture</text>
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              <text>Umayyad Mosque Damascus</text>
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              <text>The Umayyad Mosque of Damascus is the earliest Islamic monument still extant after the Dome of the Rock in Jerusalem. As with the Dome of the Rock, the Mosque boasts a large volume of mosaic decoration of the highest quality that is believed to have been carried out by Byzantine artisans given the similarities of the technique and motifs with high-quality Byzantine commissions of the same era. The most notable difference is that there is a complete absence of figural imagery in the Islamic monuments. In the case of the Umayyad Mosque the decoration is particularly intriguing as it depicts a range of landscapes both urban and pastoral, all entirely without living creatures. This has led many commentators to argue that it represents a vision of paradise, with others arguing instead for an idealised representation of Damascus. Whether or not these interpretations are correct, the mosaicists appear familiar with Roman architecture, with porticoed late Roman villas appearing prominently in the decoration, meaning that the mosaics demonstrate a continuity with earlier artistic forms rather than a definitive break with the past. In many ways the decorative scheme is far more conservative than that of the Dome of the Rock, which predates is by over twenty years.</text>
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              <text>Emma Loosley</text>
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              <text>John Ingham</text>
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              <text>Metadata and all media released under a Creative Commons BY-NC-SA International licence unless otherwise indicated</text>
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