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                <text>Chabukauri is located to the west of Nekresi monastery and lies in the modern territory of that foundation. As at Dolochopi, the large three-church basilica found on the site was once the centre of a substantial settlement that has since been overtaken by forest, although in this case the growth is not as dense as it is in Dolochopi. Also as at Dolochopi, there are various phases to the building. In this case the large church is believed to date to the fourth to fifth centuries and, after the main church was damaged in an earthquake, part of the north-eastern sector of the building was adapted to become the south aisle of a new, smaller building. This smaller church was constructed with two distinctive horseshoe-shaped apses, the larger of which had a synthronon - as at the main church in nearby Dolochopi. Also as at Dolochopi there are medieval kist burials scattered across the site. Finally to the north west of the main church there is a small apses structure, believed to date to the fourth century, that boasts a high quality terracotta tiled floor, suggesting that this too could have been an early church. The main building was roofed by timber beams and terracotta tiles held in place with nails and ante fixes as at Dolochopi and here there was evidence that the walls of the structure were once plastered and painted red.</text>
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                <text>Excavations at Dolochopi, across the river from the modern town of Kvareli have revealed a large "three-church basilica" that is believed to date to the mid fifth century. The site stands in the centre of what was once a substantial settlement, which appears to have declined steadily after earthquakes and attacks by the Arabs and other invaders, fading into obscurity and being overtaken by the forest by the late middle ages. The basilica is built over an earlier church and, although it declined for the reasons outlined above, the nave and immediate vicinity of the church remained in use for burials. In particular the north-eastern corner of the church which was adapted in the eighth to ninth centuries as a mortuary chapel and seems to have been utilised until at least the twelfth of thirteenth centuries. The church was roofed by wooden beams supporting terracotta tiles that were held in place with iron nails and antefixes - a typically Byzantine design, as were the lighting fixtures discovered at the site. In many other respects, including in the numismatic finds, the complex looks east to the Persian Empire, but the overwhelming evidence suggests that the church is an early example of Georgian vernacular ecclesiastical architecture. One element that stands out is the inclusion of a synthronon, an element of ecclesiastical furnishing hitherto unknown in Georgia except at the nearby archaeological site of Chabukauri. In late 2016 C14 testing on a sample taken from the oldest church, which lies beneath the main basilica still extant today yielded a probable date of 387CE. The excavations were continued under the direction of Professor Nodar Bakhtadze of the Georgian National Museum and Ilia State University throughout the summer of 2017 and a large tomb compartment, called an&amp;nbsp;&lt;em&gt;akeldama&lt;/em&gt; was discovered in the centre of the apse at some distance beneath the afore-mentioned synthronon. The chronology of the site suggests that an earthquake destroyed the original fourth century church and that this was rebuilt even larger within a few years of its destruction. The resulting fifth century basilica then appears to have been damaged in a later seismic event and so the church was altered significantly in the sixth century, with further contractions of use continuing into the High Middle Ages. The images at the beginning of this entry were taken on a site visit in 2016, the latter images which make up the majority of this entry were taken a year later in August 2017.</text>
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Nodar Bakhtadze&#13;
Peter Leeming</text>
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Peter Leeming</text>
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                  <text>This collection of photographs was initially based upon pictures taken during fieldwork in May-July 2013, with the addition of some material from earlier research trips. The information gathered at this time has been added to and expanded over the course of the project fieldwork, most notably during long periods spent in Georgia in 2016 and 2017. The aim of the resource is to make available a range of images of early Georgian churches in order to study their form, function and architectural evolution, as well as to act as a record of their state of preservation at this particular moment in time. The fashion for rebuilding ecclesiastical monuments post-Communism is currently a serious threat to the architectural heritage of Georgia and these images record sites that are so far untouched as well as others that have already been modified.</text>
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                  <text>Emma Loosley&#13;
Peter Leeming</text>
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                <text>Nekresi is a complex of churches in the foothills of the Caucasus near the border with Dagestan. In the valley beneath, archaeologists have found the remains of a sun temple and it is popularly believed that the early Christians appropriated an earlier sacred site, possibly a Zoroastrian high place, in building a church in the C4th at this location. However this belief has been disproved by archaeological excavation which has found no evidence of pre-Christian occupation at the site and has redated the 'C4th' building to the C6th. This structure has entrances on the north, south and east sides and is open to the elements on all sides. It has an undercroft that was used for burials suggesting that this was possibly built as a funerary chapel. The complex also includes a C6th-C7th basilica, known in Georgia as a triple basilica as the narthex opens onto three aisles, but the south aisle does not communicate with the main body of the church and both the north and south aisles are semi-open to the elements with arched arcades to the north and south. There is also an C8th-C9th centrally-planned church that shows a strong Persian influence in its design. The rest of the monastery complex is medieval and a series of early Georgian inscriptions excavated nearby are displayed within them. Nekresi is also associated with one of the Thirteen (As)Syrian Fathers St. Abibos Nekreseli who was reputedly martyred for his resistance to Zoroastrianism.&lt;br /&gt;As with Dolochopi and Dzveli Gavazi, a further visit to the site in the company of Professor Nodar Bakhtadze in August 2017 has led to discussion of the relative dating scheme applied to the "three church basilica" and the centrally-planned domed church and raised questions as to whether or not they were necessarily built that far apart in time. As with Dzveli Gavazi, the centrally-planned church at Nekresi is something of an anomaly given the ubiquity of the "three church basilica" type in Kakheti. In fact this church appears to be an experimental early version of a domed "three church basilica" as it has two apsed side aisles to the north and south of the central church. The northern aisle has a window to the east and is closed off, whereas the south aisle and the narthex in the west both have two arches and are open to the elements. The west and south arcades also have pilasters on the internal wall, as encountered at Areshi large basilica and Kindzmareuli. Inside the main part of the church the dome has windows to the east, south and west, but not on the north side. The dome itself is supported to the west by two squinches, whereas at the east there are what can only be referred to as 'proto-pendentives' - an arrangement also found in the later church of Khirsa Stepantsminda. There is also one other window placed in the apse. If this &lt;span style="text-decoration: underline;"&gt;is&lt;/span&gt;&amp;nbsp;an&amp;nbsp;early attempt at a domed basilica, then it is likely to pre-date c.630 and the building of Tsromi to the west in Shida Kartli. It also raises questions as to why two variant forms of centrally-planned church were being experimented with perhaps almost at the same time in the same vicinity. Moving on to the "three church basilica" it is a large example of this type and has open arcades of two arches on both the north and south sides. There is a door to the north aisle from the main nave, but a corresponding door on the south aisle seems to have been sealed centuries ago as medieval frescoes now cover the area where the door once stood. As at Shilda, the entire construction took place as one project and the north and south aisles are firmly tied to the central nave. In the sixth century mortuary chapel (referred to in Georgian as the&amp;nbsp;&lt;em&gt;akeldama&lt;/em&gt;) it is clear that this was intially tied to another structure in the sixth century - possibly the refectory - and the later intervening space between the ossuary trench and the other building only became used as a burial ground for wealthy patrons and their families in the middle ages. The&amp;nbsp;&lt;em&gt;marani&lt;/em&gt;/refectory complex extant today dates from the twelfth century, as do the cells and work area excavated to the north of the main complex. The tower is sixteenth century, as is the tower at Shilda.&lt;span style="text-decoration: underline;"&gt;&lt;br /&gt;&lt;/span&gt;</text>
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Peter Leeming</text>
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                <text>Metadata and all media released under a Creative Commons BY-NC-SA International licence unless otherwise indicated</text>
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                  <text>This collection of photographs was initially based upon pictures taken during fieldwork in May-July 2013, with the addition of some material from earlier research trips. The information gathered at this time has been added to and expanded over the course of the project fieldwork, most notably during long periods spent in Georgia in 2016 and 2017. The aim of the resource is to make available a range of images of early Georgian churches in order to study their form, function and architectural evolution, as well as to act as a record of their state of preservation at this particular moment in time. The fashion for rebuilding ecclesiastical monuments post-Communism is currently a serious threat to the architectural heritage of Georgia and these images record sites that are so far untouched as well as others that have already been modified.</text>
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Peter Leeming</text>
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