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                  <text>This collection of photographs was initially based upon pictures taken during fieldwork in May-July 2013, with the addition of some material from earlier research trips. The information gathered at this time has been added to and expanded over the course of the project fieldwork, most notably during long periods spent in Georgia in 2016 and 2017. The aim of the resource is to make available a range of images of early Georgian churches in order to study their form, function and architectural evolution, as well as to act as a record of their state of preservation at this particular moment in time. The fashion for rebuilding ecclesiastical monuments post-Communism is currently a serious threat to the architectural heritage of Georgia and these images record sites that are so far untouched as well as others that have already been modified.</text>
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                  <text>Emma Loosley&#13;
Peter Leeming</text>
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                <text>Zedazeni is the monastery associated with St. Ioane Zedazneli, who is referred to in Georgian hagiographical sources as the leader of the Thirteen (As)Syrian Fathers. He is believed to have retreated to the mountains of Kvemo Kartli north of Mtskheta with a band of local followers such as Elia Diakoni (Elia the Deacon) and founded a monastery there. A tomb in the north aisle of the small church is believed by the faithful to be his shrine. Although art historians and archaeologists have argued that some elements of the church at the site date back to the sixth century, the evidence for this has yet to be published and it is difficult to make out the chronology of the building which has been heavily restored over the centuries. As with many ancient Christian sites in Georgia, in particular those associated with saintly figures, the foundation has been re-established since the fall of communism and is now home to an ultra-orthodox religious community who are on the fringes of the Georgian Orthodox church. This extremist tendency is illustrated by the fashioning of a giant cross from a disused electricity pylon and the construction of a giant wall of icon reproductions several hundred metres from the monastery compound.</text>
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